Good things take tending…

I was born in Morocco to a Peace Corps family, which probably explains everything that came after.

Growing up between cultures gave me an early obsession with how people make meaning — what they value, what they reach for, what makes something feel true to them. I channeled that into degrees in Anthropology and Studio Art, and then took it as literally as possible by spending time as a site supervisor and translator at an archaeological field school in the Nile Delta. I wasn't digging for artifacts. I was learning how to read people and place at the same time.

That same curiosity is what eventually pulled me into design — with a nudge from my anthropologist father, who somehow saw the connection before I did. I trained as an anthropologist before I became a creative director, and that wasn't a detour. It was the whole point. I've always been more interested in what moves people than what impresses them, and that lens shows up in everything I do: the briefs I write, the teams I build, the work I won't ship until it's ready.

For the past 15 years I've led creative across fashion, luxury CPG, and DTC — from early-stage startups to global brands with nine figures in revenue. Along the way I've helped raise $16M in Series A funding, contributed to a product launch that generated $64M in its first 5 months, and spent a lot of energy turning creative teams from service functions into strategic partners who have a seat at the table.

The category has never been the thing for me. What I care about is finding the vision worth chasing and seeing it all the way through, from strategy to production, across whatever medium it needs, without letting speed or scale erode the craft.

I've spoken at the DesignX Leadership Summit and the American Packaging Summit, judged the Spotlight Awards, and you can find me on Season 3 of the Awaiting Approval podcast. Right now I'm Senior Creative Manager at Lindt & Sprüngli, leading creative across seven brand portfolios and a team I'm genuinely proud of.

When I'm not doing that, I'm on a 17-acre homestead in Maine — keeping bees, tending an orchard, baking bread. It turns out the patience it takes to grow something is exactly the same patience it takes to build a creative culture. You can't rush either one. You just have to show up, tend it, and trust the process.